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Matt Haughey &lt;strike&gt;took this&lt;/strike&gt; found this picture of it in action, though, and now I get the ire. That&apos;s really annoying, even if it is only when fast-forwarding. How are you supposed to see what you&apos;re forwarding through? Even if you can hit &apos;clear&apos; to make it go away, it&apos;s still needlessly messy. Matt has a mock-up of what he&apos;d like to see on PVRBlog and it&apos;s much more reasonable.&lt;/p&gt;&lt;p&gt;Maybe that&apos;s TiVo&apos;s tack&amp;mdash;make the first versions so over-the-top that by the time the intro the real deal, everyone will have forgotten how frustrating it is to get pop-up ads on a subscription service in the first place.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.pvrblog.com/pvr/2005/03/icon_ads_over_c.html&quot;&gt;&quot;Icon&quot; ads over commercials at TiVo&lt;/a&gt; [PVRBlog]&lt;/p&gt; [&lt;a href=&quot;http://www.gizmodo.com/&quot;&gt;Gizmodo&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2005/03/30.html#a1130</guid>			<pubDate>Thu, 31 Mar 2005 03:32:39 GMT</pubDate>			<source url="http://www.gizmodo.com/index.rdf">Gizmodo</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1130</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2005/03/24.html#a1128</link>			<description>&lt;a href=&quot;http://www.gizmodo.com/gadgets/gadgets/musical-instruments/optek-fretlight-guitar-037096.php&quot;&gt;&lt;b&gt;Optek Fretlight Guitar&lt;/b&gt;&lt;/a&gt;. &lt;p&gt;&lt;img src=&quot;http://www.gizmodo.com/gadgets/images/fretlight.jpg&quot; alt=&quot;fretlight.jpg&quot; width=&quot;250&quot; height=&quot;214&quot; class=&quot;right&quot;/&gt;The Optek Fretlight combines a standard Stratocaster clone with a light-up LED neck, making it easier to learn how to play the guitar or learn new songs. The Fretlight happens to be a MIDI guitar, too, so you can send signals to it from standard music applications, or even other instruments. That means your instructor could play a short riff, which would light up on your guitar. And with quoted prices around $600 or so, it&apos;s relatively affordable (compared to other MIDI guitars, at least).&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.optekmusic.com/&quot;&gt;Product Page&lt;/a&gt; [OptekMusic via &lt;a href=&quot;http://www.joshspear.com/&quot;&gt;JoshSpear&lt;/a&gt;]&lt;/p&gt; [&lt;a href=&quot;http://www.gizmodo.com/&quot;&gt;Gizmodo&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2005/03/24.html#a1128</guid>			<pubDate>Thu, 24 Mar 2005 19:31:03 GMT</pubDate>			<source url="http://www.gizmodo.com/index.rdf">Gizmodo</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1128</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2005/03/06.html#a1120</link>			<description>&lt;a href=&quot;http://www.gizmodo.com/gadgets/gadgets/musical-instruments/more-on-the-hp-djammer-034926.php&quot;&gt;&lt;b&gt;More on the HP DJammer&lt;/b&gt;&lt;/a&gt;. &lt;p&gt;&lt;img src=&quot;http://www.gizmodo.com/gadgets/images/djammer1_f.jpg&quot; alt=&quot;djammer1_f.jpg&quot; width=&quot;400&quot; height=&quot;300&quot; class=&quot;center border&quot;/&gt;Wired News has more the HP DJammer we talked about &lt;a href=&quot;http://www.gizmodo.com/gadgets/gadgets/musical-instruments/hp-djammer-034549.php&quot;&gt;before&lt;/a&gt;, including early reaction from the DJ community and new developments on teaching it to beat match and its Wi-Fi capabilities. And yes, you&apos;ll still look like you&apos;re five minutes into a seizure while using the DJammer, but that&apos;s how you indie kids dance these days, what with your hip hopping.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.wired.com/news/digiwood/0,1412,66722,00.html&quot;&gt;Scra-Scra-Scratching Thin Air&lt;/a&gt; [WiredNews]&lt;/p&gt; [&lt;a href=&quot;http://www.gizmodo.com/&quot;&gt;Gizmodo&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2005/03/06.html#a1120</guid>			<pubDate>Sun, 06 Mar 2005 22:03:15 GMT</pubDate>			<source url="http://www.gizmodo.com/index.rdf">Gizmodo</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1120</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/12/15.html#a1110</link>			<description>&lt;a href=&quot;http://www.freedom-to-tinker.com/archives/000738.html&quot;&gt;&lt;b&gt;P2P in 15 Lines of Code&lt;/b&gt;&lt;/a&gt;. &lt;p&gt;TinyP2P is a functional peer-to-peer file sharing application, written in &lt;b&gt;fifteen lines of code&lt;/b&gt;, in the Python programming language. I wrote TinyP2P to illustrate the difficulty of regulating peer-to-peer applications. Peer-to-peer apps can be very simple, and any moderately skilled programmer can write one, so attempts to ban their creation would be fruitless.&lt;/p&gt;&lt;p&gt;For more information about TinyP2P, see &lt;a href=&quot;http://www.freedom-to-tinker.com/tinyp2p.html&quot;&gt;&lt;a href=&quot;http://www.freedom-to-tinker.com/tinyp2p.html&quot;&gt;http://www.freedom-to-tinker.com/tinyp2p.html&lt;/a&gt;&lt;/a&gt;.&lt;/p&gt; [&lt;a href=&quot;http://www.freedom-to-tinker.com/&quot;&gt;Freedom to Tinker&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/12/15.html#a1110</guid>			<pubDate>Wed, 15 Dec 2004 23:47:25 GMT</pubDate>			<source url="http://www.freedom-to-tinker.com/index.rdf">Freedom to Tinker</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1110</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/12/15.html#a1109</link>			<description>&lt;a href=&quot;http://www.engadget.com/entry/1234000743023845/&quot;&gt;&lt;b&gt;Switched On: TiVo should skip ahead and kill subscription fees&lt;/b&gt;&lt;/a&gt;. &lt;br /&gt;&lt;em&gt;&lt;img alt=&quot;Tivo&quot; src=&quot;http://www.weblogsinc.com/common/images/3093323787821866.jpg?0.8692584930626642&quot; align=&quot;right&quot;border=&quot;0&quot; height=&quot;200&quot; hspace=&quot;4&quot; vspace=&quot;16&quot; width=&quot;120&quot; /&gt;Each week Ross Rubin contributes Switched On, a weeklycolumn about the future of technology, multimedia, and digital entertainment:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;The sworn enemy of the savvy consumer is the asterisk. This pesky punctuation can sweep the wind from the sails ofenthusiasm around a product. At best, it connotes a complication. At worst, it signals that something here is too goodto be true, the company is overpromising, and that you better watch your back &amp;ndash; particularly the pocket in which yourwallet rests. For &lt;a href=&quot;http://www.engadget.com/search/?sourceid=Mozilla-search&amp;amp;q=tivo&quot;&gt;TiVo&lt;/a&gt;, it&amp;#8217;s been analbatross preventing more consumers from enjoying their well-designed digital video recording product. The asteriskexplains that &amp;ndash; after you purchase a device &amp;#8212; a subscription is required.&lt;br /&gt;&lt;br /&gt;TiVo, which was founded in 1997, did its business planning during the height of the dotcom era. The desire to createrecurring revenue was a dream that reflected the overly optimistic investor enthusiasm at the time. TiVo saw somefuture threats, though. It knew that, despite its patent portfolio on recording digital video, other DVRs would come tomarket. Positioning TiVo as a service would allow it to work with a variety of products from different hardwarecompanies. The company also had its eye on the cable and satellite industry, and a monthly fee would make it easy forthose companies to resell a DVR service.&lt;/p&gt;&lt;br /&gt;&lt;p&gt;Unfortunately, neither vision came to full fruition. While other retail DVRs &amp;ndash; some using TiVo&amp;#8217;s software &amp;#8212; havecome to market, the company has had to introduce a watered-down version to appease manufacturing partners rightlyconcerned about double-billing. And while cable and satellite companies are now shipping out hundreds of thousands ofDVRs, only DirecTV&amp;#8217;s use TiVo&amp;#8217;s software. With &lt;a href=&quot;http://www.engadget.com/entry/1234000780021946/&quot;&gt;DirecTV&amp;#8217;s newsister company NDS offering DVR software&lt;/a&gt;, the writing is on the wall-mounted plasma for that relationship.&lt;br /&gt;&lt;br /&gt;TiVo&amp;#8217;s time has shifted, and so should its business model. The subscription fee merely added insult to injury when thefirst TiVo units came to market north of $500, but now the company offers a basic Series 2 DVR for $99 after rebate.Embedding the $250 &amp;#8220;lifetime&amp;#8221; subscription fee would allow a complete package of $350, about the price of many DVDrecorders now on the market. On one level, we&amp;#8217;re talking about semantics &amp;#8212; $350 is the effective price. However,removing the positioning of a subscription would eliminate an important psychological barrier as well as a good deal ofhassle.&lt;br /&gt;&lt;br /&gt;Without the subscription fee requirement, TiVo would turn the marketing tables on cable DVRs that now soundly beat itat face value. Paying a one-time $350 fee for stable DVR service with home networking links and a great interface iscompelling versus paying $8 or more per month to your probably beloved cable provider for which the only &amp;#8220;Lifetime&amp;#8221;option is a barrage of sappy women&amp;#8217;s TV movies. TiVo will never be able to beat cable and satellite providers at asubscription price war, so why fight one? And when compared to a Media Center PC for $1,500 or more, TiVo would becloser to the price of a far less versatile Media Center Extender.&lt;br /&gt;&lt;br /&gt;TiVo could still force registration, or perhaps even a credit card, to activate its service. That would allow it tocontinue to sell research on DVR viewers, expand its audience for targeted &amp;#8220;fast forward&amp;#8221; billboards, and sell premiumservices such as Netflix rentals, Internet programming, or content that could be delivered to its boxes. In contrast,it has never done a good job articulating the naked value behind that monthly fee. TiVo might take a short-term hitlosing the monthly revenue from customers who continue to pay by the month (or could simply make them a &amp;#8220;lifetime&amp;#8221;conversion offer), but its product&amp;#8217;s gift value (which now represents the gift that keeps on taking) would growtremendously. And the best part is, it would still amortize that subscription fee.&lt;br /&gt;&lt;br /&gt; TiVo started life as an application, but if it wants to become a content platform it has to expand its customer base.Even TiVo CEO Mike Ramsay admitted at last year&amp;#8217;s Consumer Electronics Show that DVR was just the beginning. Thelandscape has changed; it&amp;#8217;s time for TiVo to make bold moves and kick asterisk.&lt;/p&gt;[&lt;a href=&quot;http://www.engadget.com/&quot;&gt;Engadget&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/12/15.html#a1109</guid>			<pubDate>Wed, 15 Dec 2004 20:22:36 GMT</pubDate>			<source url="http://engadget.com/rss.xml">Engadget</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1109</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/11/29.html#a1102</link>			<description>&lt;a href=&quot;http://socialarchitect.typepad.com/musings/2004/10/john_battelles_.html&quot;&gt;&lt;b&gt;John Battelle&apos;s Vision for merging TV and Search&lt;/b&gt;&lt;/a&gt;. &lt;br /&gt;Half an hour later, you and your wife turn on your television to catch the Learning Channel show. As it starts, a small box appears on the bottom of the screen, alerting you to several advertisements that have appeared in your programming feed. You know that should you decide to watch them, your local cable bill will be reduced by a buck or so (or, alternatively, you&apos;ve selected the programming option that gives you free cable, but requires that you review ads at preset intervals). No matter, that&apos;s not really the reason you might want to pause the show and check out the ads. Turns out, you rather like watching them, as they are often extremely relevant to your wants and needs, not to mention informative.&lt;br /&gt;[&lt;a href=&quot;http://socialarchitect.typepad.com/musings/&quot;&gt;musings of a social architect&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/11/29.html#a1102</guid>			<pubDate>Tue, 30 Nov 2004 05:34:33 GMT</pubDate>			<source url="http://socialarchitect.typepad.com/musings/index.rdf">musings of a social architect</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1102</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/11/15.html#a1092</link>			<description>&lt;a href=&quot;http://www.reuters.com/newsArticle.jhtml?type=technologyNews&amp;amp;storyID=6815368&amp;amp;src=rss/technologyNews&amp;amp;section=news&quot;&gt;&lt;b&gt;Music download vending machines coming to Britain&lt;/b&gt;&lt;/a&gt;. &lt;br /&gt;&lt;img alt=&quot;Inspired Broadcast Network jukebox&quot;src=&quot;http://www.weblogsinc.com/common/images/7425544888821755.JPG?0.19335243246878542&quot; align=&quot;right&quot; border=&quot;1&quot;height=&quot;257&quot; hspace=&quot;4&quot; vspace=&quot;4&quot; width=&quot;131&quot; /&gt; &lt;br /&gt;A company called Inspired Broadcast Networks is installing music vending machines in a couple of subway stations inLondon that&amp;#8217;ll let you download music to your cellphone or MP3 player. They&amp;#8217;re going to charge &amp;pound;1 per track, with eachkiosk having about two million songs to choose from, and that they have plans to install more than 20,000 of them atpubs, stores, and gas stations around the country. So let&amp;#8217;s see, custom CD kiosks never really took off, why shouldmusic download kiosks do any better? It might be a little faster to use a kiosk, and there is a convenience factor forwhen you&amp;#8217;re on the go, but it&amp;#8217;s not like you can&amp;#8217;t already download (and even legally buy) music pretty easily using acomputer at home; we won&amp;#8217;t even get into all the compatibility and DRM issues involved with connecting up different MP3players and cellphones. &lt;br /&gt;[&lt;a href=&quot;http://www.engadget.com/entry/4608373282760251/&quot;&gt;Engadget&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/11/15.html#a1092</guid>			<pubDate>Mon, 15 Nov 2004 21:22:25 GMT</pubDate>			<source url="http://engadget.com/rss.xml">Engadget</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1092</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/11/09.html#a1082</link>			<description>&lt;a href=&quot;http://socialarchitect.typepad.com/musings/2004/10/john_battelles_.html&quot;&gt;&lt;b&gt;John Battelle&apos;s  Vision for merging TV and Search&lt;/b&gt;&lt;/a&gt;. &lt;br /&gt;Compared to the unpredictable and untraceable value of a magazine ad or television spot, search looks pretty damn compelling. But at the end of the day, three lines of text sitting next to a set of results is a pretty meager way to declare your brand or inform a consumer about your new products or services. Clearly, there is room for both kinds of advertising - intent-based (search), and content-based (TV). But what if the two were to merge? &lt;br /&gt;[&lt;a href=&quot;http://battellemedia.com/archives/000992.php&quot;&gt;Searchblog&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/11/09.html#a1082</guid>			<pubDate>Tue, 09 Nov 2004 20:39:39 GMT</pubDate>			<source url="http://socialarchitect.typepad.com/musings/index.rdf">musings of a social architect</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1082</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/11/05.html#a1070</link>			<description>&lt;a href=&quot;http://www.blogarithms.com/index.php/archives/2004/11/04/bittorrent-accounts-for-35-of-all-internet-traffic/&quot;&gt;&lt;b&gt;BitTorrent Accounts for 35% of All Internet Traffic&lt;/b&gt;&lt;/a&gt;. &lt;br /&gt;BitTorrent now accounts for an astounding 35 percent of all the traffic on the Internet -- more than all other peer-to-peer programs combined -- and dwarfs mainstream traffic like Web pages. &lt;br /&gt;[&lt;a href=&quot;http://www.blogarithms.com&quot;&gt;Blogarithms&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/11/05.html#a1070</guid>			<pubDate>Fri, 05 Nov 2004 18:26:28 GMT</pubDate>			<source url="http://www.rds.com/doug/weblogs/rss.xml">Blogarithms</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1070</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/08/04.html#a1051</link>			<description>&lt;a href=&quot;http://maccentral.macworld.com/news/2004/08/04/moviegate/?lsrc=mcrss-0804&quot;&gt;&lt;b&gt;AlchemyTV plug-in MovieGate burns video to CDs, DVDs&lt;/b&gt;&lt;/a&gt;. &lt;br /&gt;British developer Miglia Technology announced on Wednesday the release of &lt;a href=&quot;http://www.miglia.com/Support/alchemytvdvr_plugins.html&quot;&gt;MovieGate&lt;/a&gt;, a free plug-in for &lt;ahref=&quot;http://www.miglia.com/products/video/alchemytvdvr/index.html&quot;&gt;AlchemyTV DVR (Digital Video Recorder)&lt;/a&gt; that enables burning VCDs, Super VCDs and DVDs in the DVR application, as well as creating chapter stops for DVDs. The plug-in is based on the DVD mastering utility released by the developers at macetvideo.com. MovieGate converts recorded video to MPEG-2 and supports burning to the DVD+/-R, DVD+/-RW and CD-R/W formats. &lt;br /&gt;[&lt;a href=&quot;http://maccentral.macworld.com/&quot;&gt;MacCentral&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/08/04.html#a1051</guid>			<pubDate>Thu, 05 Aug 2004 05:43:51 GMT</pubDate>			<source url="http://maccentral.macworld.com/mnn.cgi">MacCentral</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1051</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/07/18.html#a1036</link>			<description>&lt;a href=&quot;http://www.boingboing.net/2004/07/18/walkmen_changed_our_.html&quot;&gt;&lt;b&gt;Walkmen changed our social norms&lt;/b&gt;&lt;/a&gt;. &lt;br /&gt;This article on the 25th anniversary of the Walkman explores some of the fascinating social fallout from the rise of personal stereos.&lt;blockquote&gt;&quot;The Walkman was critical in altering the rules of being with other people,&quot; Schiffer says. &quot;People thought it was rude to listen to music in public. Now our standards have eroded to the route we&apos;ve gone down with cell phones, which is to sanction rudeness. We are losing sociability.&quot;&lt;/blockquote&gt;&lt;a href=&quot;http://www.chicagotribune.com/technology/chi-0407160056jul16,1,414838.story?coll=chi-techtopheds-hed?CHICAGO_TRIB_REG_SYSTEM_BREAKS_THE_WEB_AND_INVADES_OUR_PRIVACY&quot;&gt;Reg Req&apos;d Link&lt;/a&gt; &lt;br /&gt;[&lt;a href=&quot;http://www.boingboing.net/&quot;&gt;Boing Boing&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/07/18.html#a1036</guid>			<pubDate>Sun, 18 Jul 2004 21:33:44 GMT</pubDate>			<source url="http://boingboing.net/rss.xml">Boing Boing</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1036</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/06/25.html#a1034</link>			<description>&lt;a href=&quot;http://maccentral.macworld.com/news/2004/06/25/tactic/?lsrc=mcrss-0604&quot;&gt;&lt;b&gt;Tactic: mix digital video in real-time&lt;/b&gt;&lt;/a&gt;. &lt;br&gt;Livid Instruments announced on Friday the release of &lt;a href=&quot;http://lividinstruments.com/products/tactic.html&quot;&gt;Tactic&lt;/a&gt;, a hardware device that works with the included software to allow video DJs to mix and edit digital video in real-time. Tactic is made of handcrafted wood and features a USB connection, 16 buttons and knobs that can be assigned different functions, six buttons for triggering effects and 36 tactile buttons that let you rapidly trigger effects. The software offers a preview screen that monitors video clips and camera feeds as well as programmable sliders, buttons, wheels and knobs. As MacCentral posted this article, Livid had not yet posted system requirements or pricing for Tactic. &lt;br&gt;[&lt;a href=&quot;http://maccentral.macworld.com/&quot;&gt;MacCentral&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/06/25.html#a1034</guid>			<pubDate>Fri, 25 Jun 2004 20:30:58 GMT</pubDate>			<source url="http://maccentral.macworld.com/mnn.cgi">MacCentral</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1034</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/06/11.html#a1024</link>			<description>&lt;a href=&quot;http://maccentral.macworld.com/news/2004/06/11/streaming/?lsrc=mcrss-0604&quot;&gt;&lt;b&gt;Apple, Microsoft poised for streaming media battle&lt;/b&gt;&lt;/a&gt;. &lt;br /&gt;With news on Thursday that Apple Computer Inc.&apos;s QuickTime player &lt;a href=&quot;http://maccentral.macworld.com/news/2004/06/10/quicktime/&quot;&gt;surpassed 250 million downloads&lt;/a&gt;, industry analysts say Microsoft and Apple are both poised to take the lead in the streaming media battle. What may make the difference is the level to which each company supports industry standards, an area where Apple has taken the lead so far. &lt;br /&gt;[&lt;a href=&quot;http://maccentral.macworld.com/&quot;&gt;MacCentral&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/06/11.html#a1024</guid>			<pubDate>Fri, 11 Jun 2004 20:43:23 GMT</pubDate>			<source url="http://maccentral.macworld.com/mnn.cgi">MacCentral</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1024</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/06/11.html#a1022</link>			<description>&lt;a href=&quot;http://slashdot.org/article.pl?sid=04/06/11/1527224&quot;&gt;&lt;b&gt;Labels Find New Method of Payola&lt;/b&gt;&lt;/a&gt;. &lt;br /&gt;The Houston Chronicle is reporting on the newest &apos;legal&apos; payola tactic put forth by the record industry: playing the song as an advertisement. It seems that while it is illegal to pay a radio station to play a song, it is not illegal to play a song as an ad. Quoth the article, &apos;The practice is legal as long as the station makes an on-air disclosure of the label&apos;s sponsorship -- typically with an introduction such as &quot;And now, Avril Lavigne&apos;s Don&apos;t Tell Me, presented by Arista Records.&quot;&apos; Incidentally, that song was played 109 times in one week by Nashville station WQZQ-FM.&lt;br /&gt;[&lt;a href=&quot;http://slashdot.org/&quot;&gt;Slashdot&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/06/11.html#a1022</guid>			<pubDate>Fri, 11 Jun 2004 20:39:10 GMT</pubDate>			<source url="http://slashdot.org/slashdot.rdf">Slashdot</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1022</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/04/29.html#a1018</link>			<description>&lt;a href=&quot;http://slashdot.org/article.pl?sid=04/04/29/1423250&quot;&gt;&lt;b&gt;Instant Live Concert Recordings&lt;/b&gt;&lt;/a&gt;. &lt;br /&gt;[&lt;a href=&quot;http://slashdot.org/&quot;&gt;Slashdot&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/04/29.html#a1018</guid>			<pubDate>Thu, 29 Apr 2004 20:29:36 GMT</pubDate>			<source url="http://slashdot.org/slashdot.rdf">Slashdot</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1018</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/04/23.html#a1012</link>			<description>&lt;img src=&quot;http://www.apple.com/itunes/download/images/itunes4icon_042803.jpg&quot; align=&quot;left&quot; /&gt;&lt;a href=&quot;http://www.aaronsw.com/2002/itms/&quot;&gt;&lt;b&gt;Behind the iTunes Music Store: A Technical Description of iTMS and FairPlay&lt;/b&gt;&lt;/a&gt;.&lt;br /&gt;This document explains how the iTunes Music Store works. This information is useful to computer science researchers, cryptographers, and politicians, who may be curious to understand the largest deployed DRM system to date.&lt;br /&gt;[&lt;a href=&quot;http://www.aaronsw.com/&quot;&gt;Aaron Swartz&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/04/23.html#a1012</guid>			<pubDate>Sat, 24 Apr 2004 01:45:40 GMT</pubDate>			<source url="http://www.ipodlounge.com/index.xml">iPodlounge</source>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1012</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/04/23.html#a1011</link>			<description>&lt;img src=&quot;http://www.theregister.co.uk/2004/04/23/linksys_net_radio.jpg&quot; align=&quot;left&quot; /&gt;&lt;a href=&quot;http://www.theregister.co.uk/2004/04/23/net_radios/&quot;&gt;&lt;b&gt;Firms prep Wi-Fi Internet radio tuners&lt;/b&gt;&lt;/a&gt;. &lt;br /&gt;Wi-Fi is not only freeing up notebook and PDA users to connect to the Internet from anywhere in the home, it&apos;s also making Internet radio work (almost) like the real thing. &lt;br /&gt;[&lt;a href=&quot;http://www.theregister.co.uk&quot;&gt;The Register&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/04/23.html#a1011</guid>			<pubDate>Sat, 24 Apr 2004 01:38:14 GMT</pubDate>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1011</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/04/01.html#a1007</link>			<description>&lt;b&gt;Canada Puts Arctic Chill On Music Industry&lt;/b&gt;&lt;br&gt;A Canadian federal judge essentially ruled this week that song-swapping in the Great White North is legal.The decision throws a curve ball at the music business, which has been ramping up its international efforts this week to thwart online music piracy.&lt;br&gt;[&lt;a href=&quot;http://www.washingtonpost.com/wp-dyn/articles/A41679-2004Apr1.html&quot;&gt;&lt;b&gt;The Waqshington Post&lt;b&gt;&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/04/01.html#a1007</guid>			<pubDate>Thu, 01 Apr 2004 19:24:00 GMT</pubDate>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1007</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/03/23.html#a1005</link>			<description>&lt;b&gt;From Sweatshops to Recording Studios, Wal-Mart Knows &quot;Cheap&quot;&lt;/b&gt;&lt;br&gt;Wal-Mart, the world&apos;s largest retailer and sweatshop proprietor has officially launched its online music store, undercutting competitors&apos; prices by 11 percent in a bid to vitalize it&apos;s on-line business.The store also expanded its catalog of &quot;artists&quot; by 50 percent, including exclusive songs from Jessica Simpson, 3 Doors Down, Shania Twain and others, the Arkansas-based retailer said.Wal-Mart spokeswoman Cynthia Lin declined to comment on whether the service has yet been profitable during it&apos;s long betas stage, or on how many songs had been downloaded, but said demand &quot;far exceeded&quot; company forecasts.&lt;br&gt;[&lt;a href=:http://www.nytimes.com/reuters/technology/business-retail-walmart.html&quot;&gt;&lt;b&gt;The New York Times&lt;/b&gt;&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/03/23.html#a1005</guid>			<pubDate>Tue, 23 Mar 2004 22:22:07 GMT</pubDate>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1005</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/03/20.html#a1004</link>			<description>&lt;b&gt;Record Stores: We&apos;re Fine, Thanks&lt;/b&gt;&lt;br&gt;Some independent music stores are thriving despite the competition from illegal downloads on the Internet.The stores are finding that file sharing can help create a buzz online that can lead to more sales, according to a panel of independent music store owners who spoke at the South by Southwest Music Conference &amp; Festival.&lt;br&gt;[&lt;a href=&quot;http://www.wired.com/news/digiwood/0,1412,62742,00.html&quot;&gt;&lt;b&gt;Wired&lt;/b&gt;&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/03/20.html#a1004</guid>			<pubDate>Sun, 21 Mar 2004 06:14:10 GMT</pubDate>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1004</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/03/15.html#a1003</link>			<description>&lt;b&gt;iTunes Music Store downloads top 50 million songs&lt;/b&gt;&lt;br&gt;March 15 - Apple today announced that music fans have purchased and downloaded over 50 million songs from the iTunes Music Store, not including songs redeemed from the currently-running Pepsi iTunes promotion. The 50 millionth song, purchased last Thursday afternoon, was &quot;The Path of Thorns&quot; by Sarah McLachlan. Apple says iTunes users are now downloading 2.5 million songs per week, which is an annual run rate of 130 million songs per year.</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/03/15.html#a1003</guid>			<pubDate>Mon, 15 Mar 2004 18:12:19 GMT</pubDate>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=1003</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/03/06.html#a996</link>			<description>&lt;b&gt;RIAA Says 2003 Was Better Than 2002 For Sales&lt;/b&gt;&lt;br&gt;The RIAA says that record shipments declined in 2003, but ata substantially slower rate than the steep slide seen in2002. The figures did not include sales though online storessuch as Apple Computer&apos;s iTunes.&lt;br&gt;[&lt;a href=&quot;http://news.com.com/2110-1027_3-5169904.html&quot;&gt;&lt;b&gt;News.Com&lt;/b&gt;&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/03/06.html#a996</guid>			<pubDate>Sat, 06 Mar 2004 10:59:47 GMT</pubDate>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=996</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/03/02.html#a991</link>			<description>&lt;b&gt;EFF Proposes Its Own Answer to Music File Sharing&lt;/b&gt;&lt;br&gt;&lt;a href=&quot;http://www.eff.org&quot;&gt;&lt;b&gt;The Electronic Frontier Foundation&lt;/b&gt;&lt;/a&gt; has issued a proposal todeal with music file sharing issues. The proposal calls forthe creation of a voluntary license scheme that would allowusers to pay a monthly fee in return for legalized musicdownloading.&lt;br&gt;[&lt;a href=&quot;http://www.eff.org/share/collective_lic_wp.php&quot;&gt;&lt;b&gt;EFF Report Here&lt;/b&gt;&lt;/a&gt;]&lt;br&gt;[&lt;a href=&quot;http://www.wired.com/news/digiwood/0,1412,62434,00.html&quot;&gt;&lt;b&gt;Propsal Coverage Here&lt;/b&gt;&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/03/02.html#a991</guid>			<pubDate>Tue, 02 Mar 2004 11:14:50 GMT</pubDate>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=991</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/02/27.html#a990</link>			<description>&lt;b&gt;Microsoft to Save Napster to Save WMA&lt;/b&gt;&lt;br&gt;&quot;In the battle over digital music, Microsoft may be forced to play kingmaker -or else be reduced to a pawn. There are dozens of online music stores that backMicrosoft&apos;s digital format, but they may be too fragmented to successfully dentthe lead of Apple&apos;s iTunes software, analysts said. So Microsoft has been quietlyshifting some of its marketing muscle to back a few of the rival stores -particularly Napster,&quot; Stephen Lynch reports for &lt;a href=&quot;http://www.nypost.com/business/18914.htm&quot;&gt;&lt;b&gt;The New York Post&lt;/b&gt;&lt;/a&gt;.&lt;br&gt; There are a dozen online music stores supporting the .wma format, butthey command only about 30 percent total market share, according to estimatesfrom Nielsen SoundScan,&quot; Lynch reports. Microsoft now links to half a dozenmusic stores on its Web page, but has given prominent placement to Napster onits Media Center personal computers. Also, Napster is one of only two companiesto have a branded version of Microsoft&apos;s digital-music player software.&lt;br&gt;</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/02/27.html#a990</guid>			<pubDate>Sat, 28 Feb 2004 05:31:17 GMT</pubDate>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=990</comments>			</item>		<item>			<link>http://www.eardrumbuzz.com/blog/categories/edb/2004/02/25.html#a989</link>			<description>&lt;img src=&quot;http://graphics7.nytimes.com/images/2004/02/25/arts/25BOOT.jpg&quot;&gt;&lt;br&gt;&lt;b&gt;Grey Tuesday&lt;/b&gt;&lt;br&gt;More than 300 Web sites and blogs staged a 24-hour online protest Tuesdayover a record company&apos;s efforts to stop them from offering downloadable copies of DJ and record producer Danger Mouse&apos;s &quot;The Grey Album.&quot; The underground hit is a mashedversion of The Beatles&apos; &quot;The White Alblum&quot; with rapper Jay-Z&apos;s recent &quot;The Black Album&quot;.&lt;br&gt;[&lt;a href=&quot;http://www.nytimes.com/2004/02/25/arts/music/25REMI.html&quot;&gt;&lt;b&gt;The New York Times&lt;/b&gt;&lt;/a&gt;]</description>			<guid>http://www.eardrumbuzz.com/blog/categories/edb/2004/02/25.html#a989</guid>			<pubDate>Thu, 26 Feb 2004 00:36:54 GMT</pubDate>			<comments>http://radiocomments.userland.com/comments?u=115706&amp;amp;p=989</comments>			</item>		</channel>	</rss>
